We felt that people still respond to a beautifully printed object—and that the quiet, solitude, and time requested by such an object make for the best environment for encountering certain voices.
“Remember that great line from 1984? ‘If you want a picture of the future, imagine a boot stamping on the human face—forever.’ The way I look at these recent revelations about our surveillance capacities—I think that what’s been revealed to us, essentially, is the boot of the future. This massive surveillance/intelligence system, documented by Snowden and others—this is the boot of the future. And the question is going to be, eventually, who wears the boot?”
Gregory Crewdson, an American artist renown for his elaborately staged photographs of small-town life, digs into the commonplace and familiar to find images that are haunting, surreal and—most agree—profoundly unnerving.
“A lot of people who were highly praised—famous actors, theater directors, musical directors…they just licked the ass of Putin, and it was very depressing and humiliating, because they’re afraid of him. […] I actually have no fear. You see, their power is our fear. And if you don’t fear, then they have no power…”
“But to damn it because it’s angry…. They always say that about black people: ‘those angry black people.’ And why? You’re afraid that there might be some truth to their anger. It might be justified…”
Illustrator Daniel Horowitz has become a favorite among publishers and journals. His work has been featured everywhere from The New York Times and Random House, to GQ, The Wall Street Journal, Knopf, and now, The American Reader.
Since reKiosk went live three weeks ago, Aziz and Darya Isham, the brother-sister team behind the site, have been at the center of a whirlwind of attention. reKiosk is a network of digital storefronts (or “kiosks”) where anyone can sell … Continued