A: Please don’t eat me.
B: Listen, even after you’ve become a cadaver, you’re still retrievable. God is within us and he has different ways of showing it in our lives, and this is just one way of showing it.
A: Don’t eat—
B: —My friend sent you to me, assuring me that I can use you freely…
A: Please don’t eat me.
Abstract representations of space like Vignelli’s map might make the viewer imagine that she is lost in an overgrown circuit board, a geometry problem, a modern Arabesque designed to awe without representing life. Maps, after all, are always more than utilitarian schematics; at times they are expressions of faith.
A: She did not seem to understand we were talking about a comedy book and not the transcripts from the Nuremberg Trial.
B: That hamster was going to start appearing in press conferences.
A: Right? For selfish reasons, I wish she’d decided to spend more time being a genius.
B: Obviously. Efficiency is great for U.S. Steel, but it doesn’t necessarily make sense for books.
A: I want a beautiful life but I’m stuck in this Garbage World with you people.
B: You’re the one who decided to leave three lanes closed during rush hour.
A: It was interesting giving my dark side the keys to the car. I went joyriding…
GPS gives one an easier sense of location, but its power to do so depends on a network of moving satellites, determining location as they orbit with the earth. Whatever the illusions our iPhones, Garmins, and airplane screens provide, we are all seafarers now.
“Remember that great line from 1984? ‘If you want a picture of the future, imagine a boot stamping on the human face—forever.’ The way I look at these recent revelations about our surveillance capacities—I think that what’s been revealed to us, essentially, is the boot of the future. This massive surveillance/intelligence system, documented by Snowden and others—this is the boot of the future. And the question is going to be, eventually, who wears the boot?”
As part of PEN’s World Voices Festival, poet Eileen Myles participated in the Obsession series at the Standard, East Village. Myles’ topic was “Spoilage”…
Wear a wedding dress. That says, I care so little about this date that I’m willing to destroy any possibility of a future for us. Deranged behavior is the new effortlessness—are you following me?
“I think that poetry has a very specific kind of freedom, which has to do with almost always not knowing what you’re saying until you’re saying it, or to be more precise, being able to improvise one hundred percent of the syntax. That is a very specific type of freedom, both powerful and dangerous. It’s so easy to write a silly thing with that freedom and yet it’s so moving when you arrive at a meaning at the end of the syntax…”
A: I apologize if this seems blunt, but what I must say is too important to dress up in flowery language.
A: —Give me a fucking website.
A: It’s time.
Now, our devils eat beating hearts, and our love interests have well-defined cheekbones.
A: It’s just that yesterday she had a small crisis. She is recovering from an operation. She doesn’t feel well.
B: Unforgivable behavior… I just assumed it would be all roses. She signed a letter of resignation?
Are we producing too much Shakespeare? Two Reader editors take sides.
B: Ok, but if we find out you voted—your five fingers? Michele? You might not see them anymore. There is not a shortage of what we can use. Like, Bible. You’ll be like, “Everything was very efficient. I was knocked out for a bit while they looked in my stomach, and was home again a few hours later. Man, was I impressed.”
A: Brutality stands in stark contrast to our values as a nation.
B: No. Brutality, cynicism…those too are civil rights worth fighting for…
A device perhaps for the incontrovertibility of the one to win credence for the other. That then is the proposition. Perhaps the result is a sandwich. This much being unknown.